Super
comfortable, cool, and easy to wear, in and out of the water C4 Tattoo Rash
vest.
Long
Sleeve Brown Ka Uhi Tattoo Rashguard:
This
long sleeve rash guard with unique sublimated tattoo design by Keone Nunes. This
limited edition rashguard features the traditional Polynesian symbology.
Features:
* 80%
Polyester, 20% Lycra
*
Traditional Tattoo Design by Keone Nunes
*
Artwork sublimated on material
* 50 UPF
rating
* Blocks
97.5% of UV rays
C4
Waterman partial print :
long
sleeve rash guard with traditional Polynesian tattoo highlights. Excellent sun
protection. This rashguard has a UPF rating of 50 which means it blocks 97.5%
of UV rays.
Womens
and mens available.
* 90%
Polyester/ 20% Lycra quick-dry fabric
* with
UV-resistant fabric sublimated with black Ka Uhi or tattoo print on white.
* C4
Logo screened on the sleeve.
About
Keone Nunes :
Keone
Nunes was not interested in tattooing at first, but he knew a lot about his
Hawaiian culture. When he did get involved in tattooing, he therefore knew more
than most about traditional designs.
With the
help of Kandi Everett, Nunes got his first tattooing machine in 1991 and began
to work. He noticed that the only people who were doing traditional tattoos
were Samoans, who were protective of their art form, so Nunes learned techniques
from that tradition of tattooing.
Nunes
then returned to his roots and learned about ancient Hawaiian traditions and
kakau. He's spoken with many kupuna about the art form, and learned many
traditional designs. Hawaiian tattoos are asymmetrically placed on the body,
and most every part of the body can be tattooed ? but always asymmetrically. Nunes
feels Hawaiian tattoo designs are bolder and larger than Maori or Samoan forms.
He speculates this could be due to the fact that Hawaiian tattoos have
more to do with individual identification than for ceremonial purposes.
Tatto history : http://www.pbs.org/skinstories/history/index.html
Nunes Facebook page : http://www.facebook.com/keone.nunes
The legacy of Polynesian tattoo began over 2000 years ago
and is as diverse as the people who wear them. Once widespread in Polynesian
societies across the Pacific Ocean, the arrival of western missionaries in the
19th century forced this unique art form into decline. Despite the encroachment
of Christian religious beliefs that vilified tattooing as unholy, many
Polynesian tattoo artists maintained their vital link to their culture's
history by preserving their unique craft for generations.
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